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dismisses this as 'heavy metal goes to college,' but the woman defends her tastes, saying 'It's the only thing playing now with any kind of sophisticated melody line that still has its.you know, innocence.' She's later impressed with Jeff when he discusses the complexities of the genre. When asked what she listens to, the music critic replies, 'Oh, progressive rock mostly: King Crimson, Yes, Genesis, Rush.' Country singer J.T. Two of the main characters, Jeff and J.T., are discussing music and flirting with two women at the bar - one of them a music critic. Rush is mentioned during the bar scene in this film which inspired The Big Chill. Return of the Secaucus 7, the movie, September 5, 1980 Visit for a complete reproduction of both issues. This was the final issue of Apocalypse comics, and included in the comic is information that the 'author', Dave Hornsby, had to scrap a color comic based on 2112 due to cost concerns. Pages 16 (pictured here) through 26 of this issue features the complete graphical rendition of 'Cygnus-X1: Book Two - Hemispheres' including 'words by Neil Peart', a followup to 'Book One - The Voyage' published a year previously. Not just inspired by Rush, pages five (pictured here) through eight of this comic are the complete graphical rendition of 'Cygnus-X1: Book One - The Voyage' including 'words by Neil Peart'.

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Ironically, although 'Subdivisions' would not be written for a few years yet, this movie is about teenage angst while growing up in a subdivision/planned community, and of course includes a scene in a basement bar.Īpocalypse Comics, by Marvel Comics UK, 1979-1980 In the opening scene a quart of beer is taken away from a teenager who is wearing an A Farewell To Kings tour shirt (the teen is escorted out past a young Matt Dillon, starring in his first film). Over The Edge, the movie, November 2, 1979 Roberts and Jeanne Beker, the show's themesong was 2112 Overture. When this newsmagazine show first launched in 1979, hosted by J.D.

The New Music, the Canadian television news show, 1979 - 2008 It took me ages to regarin Rush's trust.' - Fin Costello, Classic Rock, September/November 2002 When I finally saw it, I was well choked! But of course I couldn't do a thing about it by then. The next thing I knew was when I showed up at a Rush show, only to get an earful from the band about the use of their shot on the Rainbow cover. 'I was at Oyster Records in NY, and was coming up with ideas for the cover art for Rainbow's Long Live Rock'n'roll.To present the idea to Polydor, I made up a dummy cover with the Rush shot (unretouched) in the centerfold just to demonstrate the advertising shot we intended to take at the next Rainbow concert.Polydor came up with the drawing that was eventually used, and airburshed the 'Rush' shot but never told me they were doing it. The original Rush photo has appeared in various Rush releases over the years. Without Rush's knowledge, the photo of a crowd holding a Rush starman banner was mirrored and airbrushed to read 'Long Live Rock 'N Roll' and printed on the album's inside gatefold. Polydor Records used an altered version of an original Rush photo in this album's gatefold art. Long Live Rock 'N Roll, the album by Rainbow, April 9, 1978 It's from another artist, and it's like the praise of the praiseworthy.' - Neil Peart, Circus, May 12, 1977 It really means something to us because that's a real measure of respect. That tiny little line in the comic book meant more to us than a whole issue of Rolling Stone or anything else. We were knocked out, and it really meant a lot to us. The Defenders was a pretty cerebral kind of comic. Before the comic was published, the authors David Anthony Kraft and Roger Slifer had been invited backstage to meet the band during their New York Palladium show on December 11, 1976. In addition, the comic is 'Dedicated to Neil, Geddy, and Alex of RUSH' and also includes a few Rush inspired lines, such as 'Truth is false and logic lost' and 'become one with the Brotherhood of Man'.

Published less than a year following the release of 2112, this comic is vaguely drawn from the album's with a pro-individual, anti-collectivist theme.

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Feel free to email any suggested additions.ĭefenders #45, by Marvel Comics, March 1977 A chronological listing of all known literary and theatrical productions inspired by Rush, as well as all known occurrences of Rush references in pop culture excluding references made during talkshows, gameshows, sporting events, news programs, etc., as they are too numerous to list.